Unless narrow bands of shallow focus are your aim, always stop down as much as possible when shooting close up with these lenses to maintain the maximum degree of focus depth. The closer your subject gets to the lens, the higher the degree of distortion.įlowers become worlds unto themselves when photographed close up with ultra-wide-angle lenses.Īs one would imagine, depth of field becomes critically narrow when shooting at close range with an ultrawide. The macro photograph below of the protruding arm of a park bench, shot with a 15mm lens and extension tube, is undeniably distorted. Other times the distortions are blatant, in which case you make these distortions work for you by playing with your camera angle. Depending on the subject and the degree to which it is recognizable up close, these distortions can be easy to mask. Just as your side view mirror warns you that objects are closer than they appear, the same goes for the perceived distances between objects within the finder’s frame lines. There’s no denying ultra-wide-angle lenses distort-sometimes more, sometimes less, depending on a number of variables. Ultra-Wide-Angle Lenses, Distortion, and Depth Perception This combination of lenses and lens extensions enabled me to get life-size and near-life-size close-ups with a dimensionality that is far more dynamic compared to the flatter, more compressed perspective you get when using longer focal length lenses. The photographs accompanying this article were taken with the above ultra-wide-angle lenses and extension tubes. Regardless of what common sense might dictate, from a creative standpoint you’re missing a world of visual opportunities by not incorporating an ultra-wide-angle lens into your workflow the next time you go one-on-one with a bug. When shooting from greater distances with a longer focal length macro lens, you’re also less likely to cast shadows onto your subject, or worse yet, scare it away altogether. Telephoto macro lenses in particular enable you to “reach in” to your subject without disturbing the surroundings. The goal of macro photography is to be able to see through the visual clutter surrounding your subject, and to narrow your focus onto the details too minute for our eyes to otherwise resolve. Most photographers automatically think normal or telephoto when macro photography comes up, and that’s understandable. You learn to position your camera slowly and carefully when you’re millimeters away from your subject, especially sharp, rusty subjects. This keeps the subject prominent in the frame and turns an otherwise ordinary scene into a photo of fun! It will create the feeling of being part of the scene.The front element of my 16mm lens, which was focused at 12" with a 4mm extension tube, was about a half inch from the corner of this old, rusty tractor axle. Get close to your subject and keep them centered(remember the fisheye is a prime lens, so you need to be the zoom for it by moving yourself closer). Don’t be afraid to tilt your lens up and down as well as move yourself above or below your subject to create distortion on the edges and to curve the horizon lines! Those lines and curves may help lead your eyes to the subject of the image you’re focusing on.Ģ. Embrace the curve and use the distortion to your advantage. Here are some different ways you can use this lens. Lean up against a wall and use the distortion of the lens to wrap the wall around the frame. Get down low to the ground, even if it means laying on your stomach. Be sure to change perspectives and experiment with different angles and lines. You need to move back and forth to get closer or further away from your subject. Therefore, this means that you need to act as the zoom for the lens. As simple as pointing the lens up or down, you can dramatically change the whole scene.Ī fisheye is a prime lens, meaning that you can’t zoom in or out with it. Say hello to beautiful sun flares, amazing colors, and details that this lens creates! With a fisheye lens, you can turn ordinary scenes into a creative playground. One lens that is becoming very popular in the photography community is the Sigma 15mm Fisheye lens which sells for around $600. Depending on the focal length and brand you choose, fisheye prices are on the lower end of the spectrum as far as pricing goes. One of the most creative and fun lenses there is! The fisheye will bring a whole new level of drama to your photos.
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